Guernica – by Picasso 1939

As the war raged on, Pablo Picasso revealed his mythical Guernica to the MoMA in 1939. He had created the piece two years earlier, but maintained that the piece would not return to Spain until democracy had been restored. It was only after Franco’s death in 1981, that the piece returned to Spain. A new constitution and democratic government was established, so the piece was sent to Madrid and hasn’t left the capital since. Therefore in order to see it, art lovers have no choice but to go to the Reina Sofia Museum in Madrid. Until this happens, Artsper brings the masterpiece to you, introducing one of the most beautiful anti-war paintings in the world. In 1937, the Spanish republic asked Picasso to create a large composition for the Paris International Exhibition. This request came just after the most destructive event of the Spanish civil war: the bombing of the small Basque village of Guernica. The commune was destroyed; hundreds had been killed or hurt, all of whom were innocent civilians. Picasso, who was living in Paris at the time, learnt about the ordeal through newspapers. Deeply moved by the testimonies he read and the photographs he saw, Guernica became his enraged cry against this absence of humanity. Picasso’s disdain of the war was evident, and when Nazi ambassador, Otto Abetz stood in front of the piece and asked Picasso if “it was [he] that had made this” Picasso defiantly replied “no, you did”.(Source - https://blog.artsper.com/en/a-closer-look/artwork-analysis-guernica-by-picasso/)
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Guernica – by Picasso 1939

  • 1

    Visual Complexity

    Goal-  Create an uncomfortable feel of Chaos, confusion and violence

    Solution - On first glance, Guernica’s composition appears confusing and chaotic; the viewer is thrown into the midst of intensely violent action. Everything seems to be in flux. The space is compressed and ambiguous with the shifting perspectives and multiple viewpoints characteristic of Picasso’s earlier Cubist style. Images overlap and intersect, obscuring forms and making it hard to distinguish their boundaries. Bodies are distorted and semi-abstracted, the forms discontinuous and fragmentary. Everything seems jumbled together, while sharp angular lines seem to pierce and splinter the dismembered bodies. However, there is in fact an overriding visual order. Picasso balances the composition by organizing the figures into three vertical groupings moving left to right, while the center figures are stabilized within a large triangle of light

  • 2

    Monochromatic palette

    Goal-  Create a experience of reading current events through newspaper visuals or documentary

    Solution -Picasso chose to paint Guernica in a stark monochromatic palette of gray, black and white. This may reflect his initial encounter with the original newspaper reports and photographs in black and white; or perhaps it suggested to Picasso the objective factuality of an eye witness report. A documentary quality is further emphasized by the textured pattern in the center of the painting that creates the illusion of newsprint. The sharp alternation of black and white contrasts across the painting surface also creates dramatic intensity, a visual kinetic energy of jagged movement.

     

    Also, Picasso didn’t want to distract from his message by including color, so he eventually made it all stark white, black, and gray. Originally, he’d painted a red tear on the woman’s face, but ultimately decided not to keep it.

  • 3

    Symbolism

    Goal-  Convey the abhorrence through images and symbols

    Solution - There has been almost endless debate about the meaning of the images in Guernica. Questioned about its possible symbolism, Picasso said it was simply an appeal to people about massacred people and animals. ”In the panel on which I am working, which I call Guernica, I clearly express my abhorrence of the military caste which has sunk Spain into an ocean of pain and death.” The horse and bull are images Picasso used his entire career, part of the life and death ritual of the Spanish bullfights he first saw as a child. Some scholars interpret the horse and bull as representing the deadly battle between the Republican fighters (horse) and Franco’s fascist army (bull). Picasso said only that the bull represented brutality and darkness, adding “It isn’t up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words. The public who look at the picture must interpret the symbols as they understand them.”

  • 4

    The Lightbulb

    Goal-  Symbolize the flame on the sky due to bombings and technological advancement

    Solution - Picasso didn’t illustrate the bombing in a realistic manner, and there aren’t any bombs depicted in the piece. Instead, Picasso uses a light bulb surrounded by a glowing halo of luminous spikes. This symbolizes the flames that tore apart the sky during the bombing. It is also the only object that depicts the 20th century talking about the technological advance.

  • 5

    The Horse

    Goal-  Show the suffering inflicted on the Spanish people by the dictators and German bombers

    Solution - Just under the light bulb the viewer’s attention is drawn to a horse. The animal has been disemboweled by an arrow and is howling in pain. This is emblematic of the suffering inflicted on the Spanish people by the dictators and German bombers. Picasso additionally includes a subliminal skull, formed by the nose and teeth of the horse

  • 6

    The Bull

    Goal-  Symbolize fight between man and beast

    Solution - The human-eyed bull evokes the fight between man and beast. Without a doubt, we can see the incarnation of Spanish Nationalist and Totalitarian regimes in this animal.

  • 7

    The Dove

    Goal-  Symbolize disappearance of peace

    Solution - It is hardly visible, and looks as though it has been rubbed out. This erasure is symbolic of the peace that disappeared in Guernica during the war.

  • 8

    The Woman

    Goal-  Depict the death and suffering caused by war

    Solution - With her head and eyes rolled back, the woman holds her dead baby whilst helplessly reaching out towards the sky.  This depiction is reminiscent of portraits of Dora Maar, which Picasso nicknamed “the woman who cries”. Another woman is also shown to the right of the painting: her arms are also raised and her mouth frozen mid-scream. She is surrounded by flames, which are symbolized by the tips of triangles which allude to the explosions caused by the bombs.

  • 9

    The Man with the Sword

    Goal-  Depict heroism and hope

    Solution - Underneath the horse are the shattered remnants of a dead soldier; in the grip of the hand on his severed arm is a broken sword out of which a flower grows. On the palm of his other hand signs of the stigmata of Christ are visible, indicating martyrdom. He is the only man and the only figure lying down in the painting. He has been dismembered yet still holds his broken sword, which is emblematic of his heroic yet futile attempt to fight against the terror. A ghostly flower grows by the fighter’s hand, signifying hope despite the bloodshed- much like the shrouded light provided by the woman’s kerosene lamp.

  • 10

    Sharpness of pain

    Goal-  Depict sharpness of pain

    Solution -Knife-points in place of the tongues of the bull, horse and wailing woman depict the sharpness of their pain.